Reflections of a Fulbright Artist

Today's guest blogger is Patrick Suzeau, associate professor of Dance at the University of Kansas, who spent a semester in Vilnius as a Fulbright scholar in 2007. He was introduced to the Fulbright program by another Fulbright senior scholar, Linda Maxey, who suggested that Patrick and his wife Muriel, also a professor of dance at the University of Kansas, go to Lithuania to offer a different and fresh artistic perspective.

We first came to Vilnius for about three weeks in 2004, around Thanksgiving and we had a superb experience. We enjoyed watching and giving classes at the Lithuanian Academy and the National Ballet School. Muriel taught contemporary dance classes that were very well received; contemporary dance technique was a relatively new arrival to Eastern Europe.  Meanwhile I was asked to teach ballet classes. I thought that it was odd that they would be interested in ballet classes considering that they have a strong tradition in Russian ballet. It became clear to me why when I asked them to execute a certain step, which they did superbly. However, they did it as it is done in Russia.  American ballet has evolved in different directions. That is when I realized why these senior teachers were watching my classes. As a New York City-trained dancer, my background is eclectic, something typical of American artists who have been exposed to diverse techniques and approaches. In addition, as a contemporary choreographer I favor unconventional spatial and rhythmic patterns, something that seemed to have been new and of interest to Lithuanian ballet teachers.